Pilgrimage to Sabarimala, the forest abode of Lord Ayyappa in Kerala begins during the Mandalam period commencing from the 1st day of the Malayalam month of Vrischikam (November 16). Bearded, black-clad men with their forehead smeared with vibhuti and sandalpaste are seen everywhere giving them a radiant and ascetic look. They are the devotees of Lord Ayyappa who undergo 41 days of penance abstaining from sex, meat and intoxicating drinks. All cities and villages are getting ready for receiving lakhs of pilgrims flooding to Sabarimala, abode of universal brotherhood and equality. The latest estimate of their number is around fifty millions.
The devotees undertake the arduous trekking of 3,000 feet to the forested mountains chanting the prayer Swamiye Saranam Ayyappa (Oh Lord Ayyappa, I come to thee for refuge). The pilgrimage inculcates bhakti (devotion), equality of all men and tolerance. It is symbolic of the pilgrimage of the individual self or Jivatma to Paramatma.
The offering to the deity is a ghee-filled coconut which is carried in an Irumudi (two-compartment cloth bag). The pouring of the ghee on the idol marks the consummation of the pilgrimage. Those who observe strict penance and carry Irumudi can step onto the Patinettampadi (18 sacred steps) leading to the sanctum sanctorum. Adolescent girls and young women are prohibited from undertaking the pilgrimage. The river Pampa is the most holy spot besides the Sannidhanam at Sabarimala. A refreshing bath in the Pampa, the great Pampa Feast and the Pampa Vilakku (festival of lights) is a delight to every pilgrim. The Makara Jyoti (luminous light) on the Makara Sankranti day at Kantamala where the Lord shines as the Supreme Brahman in his transcendental abode provides a soothing experience to the pilgrims.
The Sabarimala temple doors are open to all, irrespective of caste, creed, social status or religion. The deity, open to darshan only during specific seasons in the year, attracts millions of devotees all over the world. The pilgrims who go to Sabarimala once are tempted to visit year after year seeking spiritual solace. Those who undertake the maiden pilgrimage has to conduct the ritualistic ceremony known as "Ayyappa Vilakku".
Lord Ayyappa also known as Dharma Sasta is one of the three Shaiva deities, the other two being Ganesa and Muruga. Ayyappa, son of Lord Shiva by Mohini, the enchantress is one of the popular deities of the Keralites. Legend and history are intermingled in the genesis of Lord Ayyappa. There is no mention of the name of Lord Ayyappa in any of the recognised Puranas. However, Sasta, a synonym of Ayyappa, is mentioned in a Vedic hymn, as the killer of Jalandhara. In Mahabharata also the name occurs. The name of Ayyappa or Harihara Suta, the son of Hari and Hara, is not found anywhere as a deity admitted in the Puranic pantheon. However, it is quite clear that there is the confluence of Shaivism and Vaishnavism in South India. When a blending of the two tenets was felt, Ayyappa came handy. Lord Ayyappa or Ayyanar was born as Harihara Suta, the son of Vishnu and Shiva.
According to Amarakosa, the Sanskrit dictionary, Sasta is a synonym of Buddha. There are many views in favour of identifying both Buddha and Ayyappa. The Ayyappa devotees always resort to the holy pronouncement of "Ayyappa Saranam" "Swamiye Saranam" and "Saranam Ayyappa". Some believe that the Ayyappa devotees have adopted the `Saranatraya’ principle of Buddhism. The Ayyappa devotees making a pilgrimage to Sabarimala have similarity with the Buddhist way of ascetic life.
The authentic version of the Ayyappa episode is based on several folk-songs called Ayyappan Pattu written by village poets in different periods in Malayalam. The Puranic version of the folk song is based on the story of the churning of the Milky Ocean and Lord Vishnu taking the incarnation of Mohini, the enchantress, and Lord Shiva begetting a child from Mohini. These songs put together constitute the "Ayyappa Purana".
There are several stories centred on Sabarimala and Lord Ayyappa both in Puranic and legendary versions where the King of Pandalam, a principality of the erstwhile Travancore plays an important role. The Ayyappa cult is undoubtedly the cream of the Santana Dharma, the eternal religion. The history and evolution of the Ayyappa cult will reveal that it is the most simplified and elegant form of Hinduism made practical and acceptable to all.
From ancient times, the deity Sastha or Ayyappan has been worshipped in Kerala. It is believed that it was Parasurama who brought Sastha and Bhadrakali for the protection of the land and the people. Hence the presence of numerous temples dedicated to Sastha and Bhadrakali.
Certain places with dense growth of trees are considered sacred, and are the domiciles of deities. Those places where deities like Naga, Sastha, Kali, Vettakkorumakan, Ganapathi etc. are present are designed as Kavus. Legend says that Parasurama has constructed 108 Sasthakavus and 108 Durga temples.
Sastha, Bhoothanathan, and other names of Ayyappan are worshipped in Vedic and non-Vedic lines. Ayyan is the god of hunting. We can find references of 'Ayyan' in many folk songs. Sastha has got a place among the Saptadevas worshipped in the Thanthric system. There are varieties of worship connected
with the rituals and performance of Ayyappan. The Sasthampattu of Kallatta Kurups and Theyyampadi Nambiars are the ritualistic performances for the propitiation of Sastha.
The Ayyappan pattu and Ayyappan Vilakku performed by devotees are also a form of worship of Ayyappa. Ayyappan Theeyattu is an entirely different form of ritualistic performance. It is performed by Theeyati Nambiars. Normally it is prevalent in the Malabar area. But these performing arts have wider range.
| List Of Daily Rituals & Timings At Sabarimala |
| Ritual |
Timimg |
| Opening of sanctum sanctorum |
4.00 a.m. |
| Nirmalya darshanam |
4.05 a.m. |
| Ganapati homam |
4.15 a.m. |
| Neyyabhishekom |
4.30 a.m. to 11.30 a.m |
| Usha pooja |
7.30 a.m. |
| Ucha pooja |
1.00 p.m. |
| Closing of sanctum sanctorum |
1.30 p.m. |
| Opening of sanctum sanctorum |
4.00 p.m. |
| Deeparadhana |
6.30 p.m. |
| Pushpabhishekam |
7.00 p.m. |
| Athazha pooja |
10.30 p.m. |
| Harivarasanam |
10.50 p.m. |
| Closing of sanctum sanctorum |
11.00 p.m. |
| Opening and closing of Sabarimala Sree Dharmasastha Temple for the year 2009 - 2010 – 2011 |
| Month |
Pooja |
Opening Date |
Closing Date |
| Dec-2009 |
Mandala Pooja Mahotsavam |
15-11-2009 |
26-12-2009 |
| Mandala Pooja |
26-12-2009 |
|
| Jan-2010 |
Makara Vilakku Mahotsvam |
30-12-2009 |
20-01-2010 |
| Makara Vilakku |
14-01-2010 |
|
| February - 2010 |
Monthly Pooja (Kumbham) |
12/2/2010 |
17-02-2010 |
| March - 2010 |
Monthly Pooja (Meenam) |
14-03-2010 |
29-03-2010 |
| Utsavam Kodiyettam |
20-03-2010 |
|
| Utsavam Aarattu – |
29-03-2010 |
|
| Painkuni Uthram |
| April - 2010 |
Vishu Mahotsavam |
10/4/2010 |
18-04-2010 |
| Vishu Darsanam |
14-04-2010 |
|
| May - 2010 |
Monthly Pooja (Edavam) |
14-05-2010 |
9/5/2010 |
| Prathistha Dinam |
23-05-2010 |
24-05-2010 |
| June - 2010 |
Monthly Pooja (Midhunam) |
14-06-2010 |
19-06-2010 |
| July - 2010 |
Monthly Pooja (Karkitakam) |
16-07-2010 |
21-07-2010 |
| August - 2010 |
Monthly Pooja (Chingam) |
16-08-2010 |
25-08-2010 |
| Thiruvonam 23 |
| September - 2010 |
Monthly Pooja (Kanni) |
16-09-2010 |
21-09-2010 |
| October - 2010 |
Monthly Pooja (Thulam) |
17-10-2010 |
22-10-2010 |
| November - 2010 |
Sree Chithira Thirunal |
4/11/2010 |
5/11/2010 |
| Aatta Vishesham |
| Mandala Pooja Mahotsavam |
16-11-2010 |
27-12-2010 |
| December - 2010 |
Mandala Pooja |
27-12-2010 |
|
| Makara Vilakku Mahotsavam |
30-12-2010 |
20-01-2011 |
| Jan-11 - 2010 |
Makara Vilakku |
14-01-2011 |
|
| Sabarimala Events : 2009-10 |
S.No |
Events |
1 |
Prior to the Utsavam, Shudhi Kriyas consisting of Prasada Shudhi, Vaastu Bali, Vaastu Punyaham, Mulayidil will be performed. |
2 |
Bimba Shudhi Kriyas consisting of Chathu Shudhi, Dhara, Panchakam, Panchagavyam and 25 Kalasam will be performed. |
3 |
Kodiyettam (Temple Flag Hoisting) will be conducted during Makara Rasi. On Kodiyettam day, no Neyyabhishekham will be performed from 0700 hrs. It will re-commence after Kodiyettam. |
4 |
Sribhutha Bali will be performed. |
5 |
Utsava Bali will be performed. The Lord will be taken to special mandapam for the Utsava Bali. The ceremonies will commence at about 1300 hrs and will be over by about 1600 hrs. Utsava Bali darshan will be from 1400 hrs. On these days. |
6 |
Palli Vetta will be undertaken. |
7 |
Villkku Ezhunallipu |
8 |
Arattu to Pampa. |
9 |
As the Siveli Vigraham will be away at Pampa on the Aarattu day from morning till evening, temple darshan will not be possible till the Vigraham returns to the temple after the Aarattu. |
Standard Schedule of Rituals at Sabarimala Temple
During Makaravilakku season, the temple opening is at 4 :00 A M and closing at 11:00 PM. So some of the pooja timings will shift accordingly.
Essentially, this is the trend of events
| Today at Sabarimala |
| Nada
Opening |
4:00 |
| Nirmalyam |
4:05 |
| Neyyabhishekam |
4:15-7:15 |
| Usha
Pooja |
7:30 |
| Neyyabhishekam |
8:00-11:30 |
| UchaPooja |
12:30 |
| Nada
Closing |
1:00 |
| Nada
Opening (Evening) |
4:00 |
| Deeparadhana |
6:30 |
| Pushpabhishekam |
7:30 |
| Athazha
Pooja |
10:30 |
| Harivarasanam |
10:53 |
| Nada
Closing |
11:00 |
| Today at Maalikappuram |
| Nada
Opening |
4:00 |
| Kunkumam/
Bhasmam Abhishekam |
4:05-12:30 |
| Usha
Pooja |
7:15 |
| Ucha
Pooja |
12:30 |
| Nada
opening (Evening) |
4:00 |
| Deeparadhana |
6:30 |
| Bhagavathi
seva |
7:00 |
| Athazha
Pooja |
09:00 |
| Nada
Closing |
11:00 |
| Devaswom Guest House at Sannidhanam |
| Guest House |
No. of Rooms |
Rent |
Phone |
| Maramath – Complex |
22 |
225
to 450 |
04735-202027 |
| Donor House I |
24 |
250 |
04735-202041 |
| Donor House II |
16 |
150 |
“ |
| Hall |
2 |
600 |
” |
| Donor House III |
24 |
250 |
“ |
| Donor House IV |
24 |
250 |
“ |
| Donor House V |
19 |
400
to 750 |
“ |
| Pilgrim Centre I |
103 |
150 |
“ |
| Pilgrim Centre II |
115 |
250 |
“ |
| G.K.D. Charity Trust Hall |
2 |
700 |
“ |
| Poorna Pushkala Hall |
1 |
450 |
“ |
| Cottages (5) |
51 |
600
to 1000 |
“ |
| Malikappuram Building |
16 |
100 |
“ |
| Hall |
1 |
100 |
“ |
| Sabari Nivas |
64 |
|
202321 |
| Accomodation at Sabarimala |
| Accomodation For 3 Persons |
375 |
Remit |
| Accomodation For 4 Persons |
600 |
Rs.50/-
for |
| Accomodation For 5 Persons |
700 |
Extra bed |
For Advance booking for accomodation in Devaswom
guest houses contact:
Commissioner, Travancore Devaswom Board, Nanthancode,
Thiruvananthapuram. Phone: 0471-2315156, 2316963, 2317983
For Booking from Sabarimala Contact:
Accomodation Office at Sannidhanam Phone:04735-202049
Pilgrims can book rooms in advance in the guest house
of Forest Department and Kerala State Electricity Board:
Sannidhanam Forest IB Phone: 202074 / 202075
6
Room Rs.300 per day Contact:
Field Director, Project Tiger Kottayam, Kerala Phone:0481-2565940
Sannidhanam KSEB IB Phone: 202024
3
Rooms Rs.20/- per person. 1 Hall: Rs.10/- Per person
Contact: Board Secretary, Vaidyuthi Bhavan
Thiruvananthapuram, Phone:0471-2448989
Forest Department has also an IB Dormitary at Pamba.
IB has 3
Rooms (Rs.300 per day). Accomodation is available in
the Dormitary for Rs.50 per person.
How
to reach Pampa
By
Rail:
The pilgrims can reach Kottayam & Chengannur by Railway (Broad
gauage) and Punalur (Metre Gauage) and from there by bus to Pampa.
Click here for train
timings
By
Air:
The pilgrims can reach Thiruvananthapuram, Kochi & Nedumbassery
by Air and from there reach Pampa by bus/car.
By Road:
Distance: |
From |
To |
Distance |
Erumeli |
Pampa |
56 Kms. |
Kottayam |
Erumeli |
72 Kms |
Kottayam |
Pampa |
128 Kms. |
Chengannoor |
Pampa |
93 Kms. |
Thiruvalla |
Pampa |
99
kms |
Ernakulam |
Pampa (via) Kottayam |
200 Kms. |
Alleppy |
Pampa (via) A.C. Road |
137 Kms. |
Punalur |
Pampa |
105 Kms. |
Pathanamthitta |
Pampa |
69 Kms. |
Pandalam |
Pampa |
84
kms. |
Thiruvananthapuram |
Pampa |
175 Kms. |
Ernakulam |
Erumeli (via) Palai, Ponkunnam |
175 Kms. |
KSRTC has started operating buses to Palani and Thenkashi
from Pampa for the convenience of the Sabarimala pilgrims.
Besides, the Govt. of Tamil Nadu has been given the permission
to operate 20 buses from different parts of Tamil Nadu to
Pampa. A chain service exists between Pampa and Nilackal base
camp. |
K.S.R.T.C
Bus fare from Pampa |
Pampa |
Pathanamthitta |
Rs.
44 |
Pampa |
Kottayam |
Rs.
74 |
Pampa |
Erumely |
Rs.
35 |
Pampa |
Ernakulam |
Rs.114 |
Pampa |
Chengannoor |
Rs.
58 |
Pampa |
Kottarakkara |
Rs.65 |
Pampa |
Kumily |
Rs.
92 |
Pampa |
Thiruvananthapuram |
Rs.
104 |
Pampa |
Pandalam |
Rs.
53 |
Pampa |
Attingal |
Rs.90 |
Pampa |
Kilimanoor |
Rs.
82 |
Pampa |
Guruvayoor |
Rs.
164 |
Pampa |
Thrissur |
Rs.
145 |
Pampa |
Adoor |
Rs.
54 |
|
Basic Concepts
The deity meant for Ayyappan Theeyattu is Sastha, the son of Hari and Hara. The main item of Kalampattu/Thottampattu and the acting of the story of the origin and bravado of Ayyappan are the basis for this ritualistic performance. From the Thottam, we get the information that Sastha, the deity who is in the acme of knowledge in heaven came down to the earth to be the god of Malanadu under the instruction of Siva. Together with Sastha, it is said that deities like Andimahakalan, Kokkot Bhrandan, Neelan, Neelakattari, Arayilamme, Bhadrakali, Maladevatas and twelve thousand Bhoothas also came here.
Ayyappan is adored as a hunting god in the Theeyattu Pattu. Songs in which he is designated as the General of Pandi Raja is also sung in Theeyattu. In several places Ayyappan is called Ayyan, which is a word older than the other one.
In Theeyattu, a lot of separate performances like decoration of pandal, Uchapattu, Kalamezhuthu, Sandhyakkottu, Ezhunnallippu, Kalampooja, Kalampattu, Kalathilattam, Theeyattu and Thirayuzhichil. A few differences in the order are the differences in the varieties of Ayyappan Theeyattu.
In Ayyappan Kaavus there are permanent places in front of the Sreekovil for Theeyattu. Otherwise temporary sheds are to be made for drawing the kalam and enacting the Theeyattu. The place should also be cleaned by cow dung. Ceiling of the pandal is decorated before Poojas. After performing pooja in favour of Sastha and Ganapathi the Theeyadi Nambiar begins to sing the song with the accompaniment of instruments like Para and Kuzhithalam. It is called Uchappattu. For Theeyattu, preparation of Kalam is very important. After this function drawing of Roopakkalam is begun. For this five colours are used - red, black, yellow, white and green. Different figures of Sastha are illustrated. After preparing the Kalam, pooja will be conducted by the Brahmin. After that Theeyati Nambiars themselves sing the KaIampattu sitting beside the Kalam. All these songs are extolling the life and bravado of Ayyappa. Similarly songs praising the huntings of Ayyappa are also sung.
Theeyattu (Way of Ayyappan Koothu) In certain areas Ayyappan Theeyattu is called Ayyappan Koothu. The name is given, taking into consideration the dominance of the acting part of it. Theeyati Nambiar decorates himself sitting in front of the sanctum. In Ayyappan Theeyattu, the face will not be decorated.
A costume (most often red) similar to Kathakali is put on. A small crown called pathiyam is also worn. There will be a pleated white dress and additional clothes bound round the waist. While dressing and wearing the jewels, the Nambiars sing songs in praise of Ayyappan. Then he turns to the sanctum and begins his acting. This is really Ayyappankoothu. The dress of Ayyappankoothu is representative and symbolic of Nandikeswara dialogue. It is in the model of a storytelling by Nandikeswara to Ayyappa, the story of Ayyappa Kalathilattam An important rite associated with Ayyappan Theeyattu is Kalathilattam.
Theeyati Nambiars come to the kalam in a dress suitable for the komaram. Wearing white cloth, tying red cloth around his waist, covering his body and hand with sandal paste, putting on the garland that he gets from the sanctum, and getting the sword, he moves about as komaram. It is a type of sword dance. During his dance he completely destroys the kalam. This is perhaps the most interesting, dramatic, and spectacular scene in the Theeyattu.
When the komaram dances in the kalam, other Theeyati Nambiars sing songs. During Kalathilattam, komaram speaks in an oracular manner. These words are believed to be the words of God; people present their sorrows and desires in front of komaram; komaram proclaim solutions for their problems.The end of the scene is the return of the sword to the sanctum. Ayyappan Theeyattu is a performing ritual that has not yet lost its originality.
A lot of people gather together in the worship of this village god. Some believe that the performance will keep away the worries, troubles and diseases prevalent in the community. In the perspective of performing theory of Ayyappan Theeyattu, undoubtedly it is an excellent art form of supreme quality. |